She understood that the Reaganomic ax blades were swinging everywhere, that she and Flash were no longer exempt, might easily be abandoned already to the upper world and any unfinished business in it that might now resume… as if they’d been kept safe in some time-free zone all these years but now, at the unreadable whim of something in power, must reenter the clockwork of cause and effect. Someplace there would be a real ax, or something just as painful, Jasonic, blade-to-meat final—but at the distance she, Flash, and Justin had by now been brought to, it would all be done with keys on alphanumeric keyboards that stood for weightless, invisible chains of electronic presence or absence. If patterns of ones and zeros were ‘like’ patterns of human lives and deaths, if everything about an individual could be represented in a computer record by a long string of ones and zeros, then what kind of creature would be represented by a long string of lives and deaths? It would have to be up one level at least—an angel, a minor god, something in a UFO. It would take eight human lives and deaths just to form one character in this being’s name—its complete dossier might take up a considerable piece of the history of the world. We are digits in God’s computer, she not so much thought as hummed to herself to a sort of standard gospel tune, And the only thing we’re good for, to be dead or to be living, is the only thing He sees. What we cry, what we contend for, in our world of toil and blood, it all lies beneath the notice of the hacker we call God.
—Thomas Pynchon, Vineland




Here and there is born a St. Theresa, foundress of nothing, whose loving heartbeats and sobs after an unattained goodness tremble off and are dispersed among hindrances instead of centering in some long-recognizable deed.
—George Elliot, Middlemarch

Petros Koublis


“Like A Diva!”
Anna Cleveland photographed by Miles Aldridge for Vogue Italia March 2017
Stylist: Alice Gentilucci
Hair: Seb Bascle
Makeup: Stéphane Marais